(Past) Life Support
When a group of medical practitioners are blocked by the red tape of the medical industry, in order to heal, they must look beyond. Messages start coming through patients who reveal that each practitioner had a past life in healing; rooted in ancestral belief systems that challenge today’s medical industrial complex.
A video installation unpacking internalized surveillance post 9/11, twenty years later.
Through the intersection of music and memory, this hybrid film blurs the lines between surveillance and archival repair. It is indiscernible to know “who is watching who,” but in a world that is watching, Amina chooses how she sees herself.
Co-Created with Kausar Mohammed; an anthology that explores trauma (ancestral, inherited, generational, colonial, etc) amongst Muslim Communities across within the context of Horror and Sci-Fi.
Commissioned and Co-Created by Myree Tillotson to translate performance and video art exploring archival repair from Puerto Rican Diaspoa experiences responding to the earthquake of 2020.
Commissioned and Co-Created by Brynne Filer to create concentrated portraits of a Black Woman's presence through the softness of arc-less vignettes.
A visual adaptation of a poem exploring motherhood and feminine intuition.
“Wise Woman; Who parts her hair in three let your hair down to your knees take a moment to stop and breathe before your sage turn into weeds” -Braids
GOSPEL NO. 1
After heartbreak, turning to spirituality to ground and re-center the heart through ritual. It extends a thread from the larger tapestry that is the Afro-Latinx Muslim experience. Poem: Rumi Hadith: Qudsi
'The most beautiful names' examines the transition of Muslim names across immigration and socio-political events within the U.S. through the use of embroidered name badges installation. This piece is accompanied by an experimental film including personal testimony and archival footage.
Commissioned by El Haru Kuroi:“Ella pays homage to working class women, who’s jobs are to look after and even raise other people's children. This is a commemoration for her.”
Commisioned by Ana Tixou to contribute to video portraits uniting women's right's movements internationally.
screeners and materials available upon request
In development: Ojala Ignition Lab finalist.
(2021) Video Installation
In Development: Screenplay, pitch deck, proof of concept available. Accepted to Cannes Wscripted, Black List, Athena Film Festival Writer's Lab, Women in Film, Respectability, ISF Film Grant, The Blue Print for Muslim Inclusion (Pillars Fund, Riz Ahmed / Left Handed Films, USC Annenberg Inclusion Initiative). Placed in Refinery 29 + Level Forward Stowe Story Lab, Cine Qua Non Lab, Script2Comic, WeScreenplay. Proof of concept accepted to Muslim International FIlm Festiva
In Development: Screenplay, pitch deck, proof of concept funded and in pre-production,
workshopped with Sundance Collab and awarded the ISF Film Grant
Sound Design and Video Installation workshopped and featured in Studio Museum Harlem: Memories of a Future Program (2020)
Film Essay (2019)
Latinx Film Festival (2019)
Shangri La Museum of Islamic Art, Culture & Design: American Muslim Futures (2020)
Center for Global Muslim Life (2020)
Columbia University’s Focusing the Lens (2019)
University of Michigan (2019)
Cine De Las Americas (2018)
Downtown Independent for Shari'a Revoiced; a three-year collaborative project of the University of California Humanities Research Institute's Religions in Diaspora and Global Affairs (RIDAGA) Initiative.” (2015)
KCET Boom Magazine (2015)
UCLA Labor Center: Working Families in Focus (2019)
KCET x Dublab Border Blasters (2018)
Cine De Las Americas (2016)
California Women’s Film Festival (2016)
Espacio 1839 Exhibit (2015)
Premiered in Jezebel (2015)